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Acid Amora
Driftway are an up and coming Alt-Rock band hailing from Western Sydney.
Inspired more by the “shuffle” option on a playlist than the schizophrenia of say…a Mr Bungle or A System Of A Down, this duo arrive at a junction of disparate interests and motivations.
Born from deep within the Melbourne underground rock scene, on a floor covered in spilt beer, piss and blood, comes the Forklift Assassins.
Forming in the late 90s in Melbourne's northern suburbs, Klinger achieved national success with songs like Hello Cruel World and Ben Lee dominating the airwaves and landing in JJJ's Hottest 100 (twice!).
Acid Amora is a four-member alternative rock band from the Blue Mountains.
Honing his craft in the solitude of the Blue Mountains and unleashing on Inner-City venues, Conor is up to single number 6 with a brand new lineup featuring Scott Johnston and Daniel O'Toole.
What we aim to provide, using a combined skillset of 35 years in the arts, music & PR industries, is a more comprehensive and specifically targeted trajectory for your project. Treating your projects like components of our brand, we will call on our years of practice and contacts to achieve what a record label would but with NO ongoing shares in your art.
Barney Collins is the best deployment of skills and contacts amassed over years.
It is the best attributes of a devoted and focused record label, with none of the caveats, royalty splits or artistic constraints. This is your music, presented your way with no lingering conditions.
In terms of perfect debut albums, very few bands can claim to have had one; zero fat … “all killer, no filler”. Seriously, not Queen, not The Beatles, not Radiohead, not Nirvana – in almost every case, a classic album is seldom the debut. Acid Amora on their debut self titled release do more than […]
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Linc Sings Like a Girl sees writer, dog groomer, singer and historical tap dancer Linc Jenkin look back at his life in Far North Queensland in the 80’s & 90’s as a big boned boy who just wanted to sing like a Disney princess. Now a 6 ft 3 bearded man with a never ending enthusiasm for life, […]
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Is it a debut or a sequel? When French Pop Icon Serge Gainsbourg wrote Le poinçonneur des Lilas (The Ticket Puncher) in 1958, it’s fair to suggest that he’d never have thought and Australian duo would reanimate its depressive ticket-checking protagonist 66 years later, to ask more questions of his train passengers. Through the intentional […]
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